This extended play was released on April 10th this year. Sadistik released one of my favorite albums of 2019 last year with Haunted Gardens, and I still listen to it constantly. As a matter of fact I think either Eden or From the Gossamer is one of my most played songs of the past 12 months. Koi is up there too. It’s a beautifully written album. Sadistik has always been an elite level writer in my opinion honestly, but I think that was his most focused, well crafted, and cohesive body of work to date. That’s why I was so excited about this project, and I made it a priority to cover it here. So yeah, I was 99% sure I was gonna enjoy this, but I knew there was a slight chance that it could end up just not being that great to me. I heard two songs before even checking it out though, and I loved them, so I was expecting fire.
1. Ultra produced by Inocho
I actually really love the super dark, cold, Trap production on this song. Of course Sadistik ripped the verse to shreds. His fucking flow at this point was insane…
Not innocent knotted in sin
Nocturnal nights nodding to synths
Nas with the pen, monster within
Pockets are lint, not gonna win
Gone with the wind, walking the plank
Talk to the fish, God in the flesh
Heart is abyss when I pop in a clip
He only spits one verse on this track, but it’s fucking phenomenal. I feel like Sadistik deserves to be brought up in conversations with other elite level MCs, like Locksmith, Elzhi, Lupe Fiasco, etc. He slaughtered this shit. Not only is the actual writing fantastic, but his flow and delivery sound amazing here as well. The hook on the outro of this song is pretty cool too. I think this shit is dope as hell, and it had me even more excited for the rest of the project than I initially was.
2. The Plague produced by Aloe Yoroi, Steezy Prime & Arael
Sadistik dropped one of my favorite albums of 2019 last April with Haunted Gardens, so I was really excited when I stumbled upon the premiere of this music video two minutes before it began. I don’t know if he already had this song in the stash before this whole pandemic thing began or if he made this after the COVID-19 outbreak in the US, but either way it’s very apt given current events. I’m also not completely sure if Aloe Yoroi & Steezy Prime actually produced the song or if they just produced the music video. I think they did the song though. Anyway, Sadistik’s writing all over this track is gorgeous.
Search a surface immersed in blackness
Tongues are tungsten, lungs are sunk in
A hunger lingers when stomach hums hymns
To summon something, succumb to numb
Running from the glum ribs drums to sunsets
“Dead,” says the little voice in your head
So you wrote it all with poisonous lead
His flow on the opening verse is fire, and the closing couplet was really poignant to me.
Worship the warship that wards off the spirits
Sometimes reality’s worse than the fear is
The line he says right before the second verse begins was kind of a nice callback to the garden theme of his latest album. The reference to Aleister Crowley’s philosophy was dope too.
Do as thou wilt ’til the flowers wilt
The way the beat kinda switches up for the second verse is really fucking cool, and he of course killed it. I love how his delivery gets a bit more aggressive for this part of the song.
Cagey in a cage so the raven flew
Even if I suffocate from tasting fumes
Stay strained in the brain ’til the grave
We don’t stay in bloom
The song was released early for Sadistik’s patrons, so that’s cool. Haunted Gardens had a very despondent aura to it, and this song feels a bit more antagonistic in tone. I may be wrong about this, but I think he’s working on a third entry in his Salo Sessions series, so this would be more in line with something like that. I’m looking forward to whatever he does next though because this shit is fire. Don’t sleep on it.
3. Hell Is Where the Heart Is produced by Hellion & Cansino
I absolutely adore this somber, yet melodic production; it sounds more like something that could’ve appeared on Haunted Gardens. The preceding couple tracks kinda sounded more Salo Sessions-ish. This entire song is just one verse, but it works really well with the dynamic production. The verse is really beautifully written too.
I’m still healing from the cuts
When you peel away the blood
I don’t love the way I feel
Some days but I feel the way I love
Even though it has the most straightforward structure, this is my favorite track on the project. I don’t know which aspect of this song is prettier; is it the production or the writing?
I’m wearing my sins like they’re ornaments
Forming two horns I adorn like a crown
Thorns in my side
Becoming so normal I forget they’re mine
This shit is amazing to me. I can’t think of many other rappers who can do a better job of writing about pure anguish. I think this song is dope af.
4. Pet Sematary produced by Suni Vega & Arzon
This was the very first single that I heard from this project since it was released late last year. I fucking loved it then, and I still love it now. The dark, melodic production here is fantastic, and I like the hook on this track too. The first verse is superb. I love his flow during this quatrain.
Sic ‘em like cruise ships, Nikita Khruschev
Cold wars getting so ruthless, I’m nuisance
Riveted by visions of you dead
Get River Styx if you try to give me your two cents
As you can see, the content here is more hostile, so that’s pretty cool. The second verse is fire.
Put a bullet in your brain that’ll open up your third eye
Smoking on a strain ’til I’m floating where the birds fly
Worm-like, searching through the dirt with a searchlight
Showing off my fangs ’til they poke into the nerves like…
I feel like a lot of those struggle rappers on Soundcloud who try really hard to seem edgy are trying to go for this style, but Sadistik is the only one who I think can really pull it off without sounding lame. I’m sure there are other rappers out there who can do it well, but I don’t really seek stuff like that out, so I wouldn’t know. This shit is fire though; it’s dope as hell to me.
5. Sad the Impaler produced by Gin$eng & Prxz
I really like the slower pace of this song. It’s relatively downtempo, but it still maintains the energy and atmosphere that the rest of the project has. When it comes to the lyrical content, this is probably what most people would expect when they hear the name “Sadistik.”
I got a knife in my pocket, wanna meet it?
I can paint it with some blood, wanna see it?
I go abstract expressionism, looking like The Exorcist
I bet their heads’ll spin indefinitely like the devil’s in ’em
Get sliced ’til the gills in place
Inside, I’m like Gille de Rais
It’s night, I don’t feel day rays, get high
I can’t feel my face, watch me fill these graves
However, these aggressive lines are followed by some of the most beautiful, yet haunting imagery on the whole project.
I am Sad the Impaler
In a forest of my past selves chanting my name
While these people wave goodbye, always fanning the flame
Looking peaceful but inside’s only acidic rain
Like it was cortisol
Endorphins pumping through my corazon
A war’s at home so I score it like it’s Morricone
The more I go in crowds, the more I grow agoraphobe
I feel like the production on this track is really interesting just because the percussion feels so chaotic. By the time the first verse was ending it almost sounded kinda harsh, like something I’d hear on a Moodie Black album, but it was really cool. This is yet another really good track. It also has one of the better song titles I’ve seen so far this year. It’s dope.
6. Aileen Wuornos produced by Dead Angel
I personally hadn’t ever heard of Aileen Wuornos before checking this project out, so I looked her up before listening to this song. I definitely see why Sadistik seems to have an interest in her story. Stuff like this is just really sad because it’s hard to decide how to feel about it. This is a woman who was sexually abused and kicked out of her home at a very young age, who worked as a prostitute and murdered about 6 johns. I personally find it hard to call someone who has gone through something like that evil. Obviously I don’t condone murder at all, but it just makes me wonder if there was a way she could’ve been rehabilitated before doing something like that, or if she was just destined to hurt the world as much as it had hurt her. That’s why the very first line of this song felt so powerful to me.
Everyone knows she’s too broken to fix
Always shedding her skin like a boa constrictor
All of her tears turned to opals again
All of her fears show as ghosts in the pictures
She was “too broken to fix,” so I guess that’s why they resorted to lethal injection even though some claimed she was insane. The entire verse is really superb.
They tied you down and made the the needle slide in
Crucified you like you’re Jesus Christ
Poison plunged until your secrets died
Then they bloomed inside me like a dream of mine
I really like the dark, haunting production on this track too; it matches the content of the song very well. This is a major highlight on the project for me. I think this shit is dope af.
This is another amazing project from Sadistik. There’s not a single track on this EP that I don’t like. I honestly don’t know whether I prefer this or Haunted Gardens. They’re both amazing. They’re not the same, but they’re similar enough to be in the same family. I feel like this EP is what happens when Salo Sessions has a baby with Haunted Gardens. If I had to choose one over the other I’d probably go with Haunted Gardens just because it’s longer and more ambitious, so there’s more shit to break down, but both of these projects are all killer and no filler. I think I might’ve said something along the lines of “I don’t know if he can surpass this” when I reviewed that album, but this new project is so amazing that I don’t even know if I believe that anymore. It just depends on what he’s inspired to do in the future. This shit right here is fire though. The funny thing is, I don’t think I’d ever heard of any of the producers involved in this project, but every single beat here is fantastic. Everybody here knew what the fuck they were doing. I almost forgot to mention that all the songs transition into each other really nicely as well. I love this shit. It’s definitely one of the best extended plays I’ve heard all year. In fact, it’s one of the best overall projects I’ve heard this year too. Don’t sleep on it. It’s dope af.
Favorite Song: Hell Is Where the Heart Is
Least Favorite Song: Sad the Impaler
Watch the video below for more thoughts on this project.
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